Alisa has a gift for creating bestselling books.  She has ghostwritten and collaborated on six New York Times bestsellers. Her works have collectively sold more than 2 million copies.  A former magazine editor and newspaper reporter, Alisa has written for Better Homes & Gardens, Women’s Health and many other national magazines. The concept behind her blog, Project: Happily Ever After, won her a book deal with Running Press and her book will be published in January 2011.

Five Questions with Expert Alisa Bowman

Writer, Author, Blogger Alisa Bowman

RATZLAFF:

You have a well-read blog that you’ve been able to spin off into a book deal.  What’s different between blogging and crafting a book?

BOWMAN:

This will sound like a giant, “duh,” but a blog is the short form and a book is the long form. It’s similar to the difference between running a 5-K and running a marathon. For the former, you can probably run the race without any training. For the later, if you try to run it without training and preparation, you’ll end up in the medic tent.

But that’s what many bloggers try to do when they attempt to take the leap from blog to book. Thanks, in part, to online courses and workshops that encourage this, they mine everything from their blog, slap it all together in a logical order, and write a few transitions. Voila, they call this a book. While it might technically be a book — it has 60,000 words sandwiched between two covers — it’s not going to be a book that sells. The best books have a personality (a strong voice) and a hook. They can be summed up in one sentence (the so-called elevator pitch), and they fill a deep need in the reader. They solve a problem–whether that problem is boredom or the need for an escape (for novels and memoir) or something more physical (like diabetes), and they solve this problem in a unique, memorable way.

I have a ghost writing background, so I’ve written many more books than the one that is branded with my blog. (Notice, I said “branded” with the blog and not “based on” the blog). I’ve penned more than 30. For each one of them, I followed a similar process, and that process starts with studying the competition. When I was thinking about the Project: Happily Ever After memoir, I bought and read nearly every memoir that had ever been written. I studied them. I thought about what made some successful and others not so much. More important, I spent quite a bit of time thinking about how mine would be different. How would I tell a story about my marriage in a way that had never been told before? How would I address marriage in a new, refreshing way, one that would resonate with readers? What was the one sentence that would tie the entire book together, the one that I could say on TV, “This book tells the story of ….”? To distinguish Project: Happily Ever After from other relationship books, I wrote about topics that most people don’t write about. I wrote about how I was so unhappily married that I planned my husband’s funeral. I wrote about the fights we had over how to fold the laundry. I wrote about sex, and how I dreaded having it. More important, I wrote about embarrassing things: about the envy and jealousy I felt when my husband was unemployed, because, deep down, I wanted the opportunity to be the person on the recliner who watched TV all day long. In writing about all of that, it’s my hope that I created a book that stands out from the others on the shelf. I hope I wrote the first book that allows unhappily married people to feel normal. It’s also, as far as I know, the first relationship book that uses a true story as a parable that others can learn from, complete with tips and a marriage improvement guide at the end. Oh, and it has a happy ending. Oddly, that’s different, too. Most marriage memoirs either start or end with a divorce

RATZLAFF:

How did you grow your blog following from launch to the kind of following that was attractive to a book publisher?

BOWMAN:

In the beginning, I told all of my friends about it, and I begged them to read it. That didn’t work so well. So then got depressed. Then I obsessively checked my blog stats, as if doing so would somehow elevate them. That depressed me even more. Then I read about building a following and everything I read said the same thing: write good content and the following will come. I have to say that advice is pretty much spot on. The following doesn’t come overnight, mind you. There are some bloggers who go from zero to a million visitors in one year, and then there are the rest of us who capture a following slowly over time. But great content is definitely the most important part of the equation. You can’t write a half-assed blog (just as you can’t write a half-assed book). If you don’t put your heart and soul into it–if you are not absolutely passionate about it–potential readers will notice, and they will go elsewhere.

Other techniques that helped included:

• Hiring an SEO (search engine optimization) expert to help me make my blog more Google friendly
• Guest posting on larger blogs
• Getting quoted in the media. One quote in a CNN.com article about Jon and Kate sent 10,000 readers to my blog in just one day.
• Networking with other bloggers who have promoted my blog to their following, and I’ve done the same in return. I highly recommend blogging conferences, especially the smaller ones like Blissdom and Type A Mom. They allow you to meet other bloggers who will remember you–and who you will remember. These smaller conferences foster a true camaraderie.
• Writing somewhat viral “list” posts and promoting them through social networking

RATZLAFF:

How often do you post on your blog?

BOWMAN:

I used to try to post everyday, because I’d read somewhere that all good bloggers do that. You know what? I have a full-time freelance writing career and a family. Posting everyday did one thing: it burned me out. When you are burned out, you don’t produce good content. At least I sure don’t.

So now I try to post 2 to 3 times a week. Some weeks, I get on a roll and feel super inspired, so I post more often. But I don’t smack myself on the butt and force myself to post if I’m having a busy day or if I’m not feeling it. I give myself a break.

RATZLAFF:

What other activities do you engage in, online, to help your blog readership grow?

BOWMAN:

I have a strong Facebook presence. It could be stronger (I still don’t have a fan page!), but it has definitely allowed me to capture a secondary blog audience. I’ve friended just about everyone I’ve ever known: high school and college classmates, former co-workers, blogging buddies, fellow freelance writers, family members, friends, and people who I don’t really know but who are in the same networking groups I am. I also allow my blog readers to friend me. My blog feeds into Facebook, and this has allowed all of those contacts to stay up with my blog without going to it. It’s a softer sell than emailing my friends and asking them to check out my latest post. And now most of my friends do read my blog. More important, my fellow freelance writers generally keep me in mind when they are writing about sex and marriage, and they call me to get my take.

I’m also on Twitter, but as most people who follow me know, I’m quite sporadic about my presence there.

RATZLAFF:

What’s the #1 piece of advice you’d give to new bloggers?

BOWMAN:

I have three tips:

1. Be you. Too often people try to copy super successful blogs. This doesn’t work. You have something unique to offer the world. Find it and put it out there.
2. Be courageous: If a topic scares you, you should definitely write about it. We’re usually scared to write about our weaknesses and our failures, but other people love to read about those topics because it makes them feel stronger and more successful. If you don’t believe me, read Penelope Trunk for a while. She has a huge following, and it’s because she makes her life sound like a daily train wreck.
3. Be willing to break the rules: Be a nonconformist. No rule was made to be followed 100 percent of the time. For instance, people will tell you that blog posts should be short. You know what? My most popular post to date was 2000 words long. People will tell you that you should post every day. You know what? Tim Ferris only posts once a week and he has more than a million readers. People will tell you that you need to stick to your niche. You know what? Many successful bloggers don’t do this 100 percent of the time. Again, study Penelope Trunk. Her blog is supposed to be about career advice, but usually it’s about her screwed up relationship with this farmer she’s dating and sort of marrying but also sort of not marrying. (Yep, you’re so going over there now, aren’t you?)

I love hearing how writers are crafting a living from their talent and I hope these insights from Alisa are useful to you.  Be sure to visit Alisa on her blog, her Facebook profile, her website and her Twitter Account.  Say hi and let her know you met her here.  Alisa is a great example of a writer who knows how to Create Conversations about You!

This stance seems to be supported by the recent massive survey conducted by Verso Digital, presented this week at Digital Book World by Verso Digital Business Development Director, Jack McKeown. As reported by MediaBistro’s GalleyCat columnist Jason Boog, the Verso Digital survey reveals that heavy online readers consume their media in multiple formats and that e-book readers also purchase print versions of books regularly. The Verso survey also touched on price sensitivity and the fact that consumers have been trained by Amazon.com to expect e-books to be priced in the $10.00 range. One encouraging note for publishers, however, was that a significant percentage of survey respondents said they would be open to a price point in the $10-$18 dollar range based on the book.

As Apple prepares to enter the e-reader market with the iPAD and Samsung’s Papyrus joins the Barnes & Noble Nook, the Amazon Kindle, the Sony e-reader and other producers, more consumers will flock to digital books. This is good news for writers, good news for readers and ultimately, with a well thought out strategy, good for publishers.

How do you like to read books? We’d love to hear your experiences, predictions and ideas.

1. MEDIA: Traditional media, radio and television, features, op-eds, reviews, mentions, third party endorsements
2. ONLINE: Virtual and social media: video, audio, blog, Facebook, Twitter, YouTube, LinkedIn, Slideshare, guest posts, internet radio, internet tv
3. LIVE EVENTS: appearances, workshops, keynotes
4. ADVERTISING: Targeted use of Adsense words, Facebook ads, paid press release placement, and other modestly priced visibility opportunities
5. STRATEGIC PARTNERSHIPS: product or business partners that imply endorsement and provide real or in kind value to campaigns
6. SEO: Search Engine Optimization is the glue the brings all of your brand outreach and marketing programs together to give you search engine ranking that helps people find you and buy your product. Without SEO, all of your various activities exists only by themselves and do not take advantage of their combined power to create massive brand awareness. SEO is the missing ingredient in many campaigns.

By identifying a succinct set of key message points and exploiting them over all of the platforms outlined in the MVP program, your brand will reach the consciousness of your intended end user, client or consumer faster, less expensively and in a more targeted fashion than if you were to employ any combination of these outreach strategies alone. I look forward to helping you create powerful brand awareness for your business, book or ideas this year.

In most houses that publicity machine has been downsized while the number of books needing publicity and promotion has stayed the same. What’s left is a hard-working group of thoughtful people who truly love books; who would spend all the time in the world to get the word out if it was humanly possible; and who need an author’s cooperation, participation and good-cheer now more than ever before. Remember that these overworked people want your book to succeed.

How does one get to be the author whose publicist tells others: “this author was great to work with,” “the author knew the right people and really helped me get the book into important hands” and I would walk through hot coals for my author?”

It’s essential that authors view themselves as a partner in the publishing process and that includes the marketing and publicity portions of the book publishing cycle. To that end, I’ve enlisted veteran book publicist John G. Ekizian to join me in creating this list of The Top Ten Things Book Publicists Want Authors to Know.

Before you turn over the responsibility for communicating your book’s message to the world, remember.

1. You are a brand.

2. Your book is your first product.

3. Your reputation is on the line and if your first product doesn’t succeed, launching new products or books will be much harder.

4. Therefore, you must be a full partner in promoting your book, finding and alerting potential readers and in general, creating conversations about YOU.

Here’s what can you do?

1. Mobilize your friends, family and fans. They really do want to help—but you have to tell them how they can be most helpful. Start with your immediate fan base, however small. Give them early copies of your book or galleys—or even a PDF of your manuscript. Ask them to read it and give you their feedback. Ask them to write a short review and to post it on Amazon.com, BN.com and Borders.com. Tell them not to gush, but to relate why the book moved or informed them. Ask them if you can post their review to your website. Ask them to give their opinion on your Facebook Fan Page, on Twitter and on LinkedIn. Start close to home and create buzz that can build.

2. Influence the influencers: Create a list of the top 25 people in your area of expertise or who write in the same field or genre as you do. Find, read and subscribe to their blogs. Comment whenever they write something that interests you. Become visible, let them know you’re a fan, offer them new content from you whenever appropriate, such as being a guest blogger. You should also consider finding and following them on Twitter and Facebook. Again, interact with them. Pass their blogs, tweets and posts on to others. In other words, hang out on line with people you admire and who you would love to have read your work. After establishing an online relationship, you may have an opportunity to offer them an early galley or ask them to give you a quote. But first you need to be a part of their community and genuinely engaged with them.

3. Find your natural audience: The biggest marketing mistake most people make in book promotion is to assume that everyone will be interested in their book. Books that sell usually begin selling to people who are really interested in the topic. Want to sell a cookbook? Go after the person who has a shelf full of them. Who really cares about your topic? Think about it this way. You were attracted enough to this topic to write a book. Where would you go to learn about you? Would you find the kind of information in your book on CNN? Then that’s your natural audience and you and your publicist should target CNN. Are you writing about romance and mystery? Then maybe CNN may not for you. Every author we’ve ever worked with believes their book is right for Oprah. Not all books are right for Oprah. Watch the shows, see what kinds of guests they book and then make sure your publicist knows which shows most often present the subject matter most similar to your book.

4. Facebook Fan Page: Please create a Facebook Fan Page for yourself. Every author needs one. Name it for yourself, the author. You might call it John G. Ekizian | Author, Speaker. Use your name, then the upward slash and a two to three word qualifier. Those keywords will be useful in identifying you to potential friends and fans and will be Google searchable. Then create a tab with the name of your book. You can add video interviews or author chats that you create yourself. You can use the Events application to invite fans to your personal appearances. You can post news and information about reviews as they come in. This is a wonderfully rich and free tool. Please don’t overlook it.

5. Advertising versus publicizing: Every author wishes that their publisher would place full page ads in the New York Times Book Review for their book. Realistically the more that $75,000 (conservatively) that these types of ads cost isn’t a good investment for your publisher in terms of return on investment. In other words, they’re not recoup $75,000 in books sales from that ad. Publicity is a better investment of marketing dollars because a television appearance, a national publication, a radio tour or other major media can reach far more people than a one-time advertisement in one publication.

6. Webinars and teleseminars: These are the new virtual author tour and can help you reach hundreds and perhaps thousands of potential readers without ever leaving home. A webinar allows participants to view your computer screen and hear you talk as you show either a slide presentation or demonstrate something online. Many webinar hosts also allow for the audience to see you at times during the presentation. Teleseminars are via phone and are audio only but listeners can ask questions via a type-in pod. Both can be very interactive and allow people who might otherwise have not been able to “meet” you, come and hear you talk about your book.

7. Your 30 second pitch: When your publicist meets with national television producers and editors at major publications, he or she has 30 seconds to sell you and your book as a potential story or segment. Help your publicist hone your message down to a short, potent sound byte. Does your book “save lives through new research that proves sound waves are harming children,” or does your book show us “a brand new way to lose weight while you sleep.” These are silly but you get the idea. Think in headlines.

8. Op-Eds: Writing original opinion page articles can be a very effective way to increase an author’s visibility and by association help promote your book. The piece cannot be about your book but must be an opinion about some current affairs topic in which you might be considered a thought leader. For example, if you’ve written a book on World War II, you might write an opinion page article on the lessons learned or overlooked from World War II as we escalate troops in Afghanistan. You’re by-line would include Author of, the title your book. You may not mention your book in the article but positioning yourself as an expert will help you publicist book more media for you. You are sharing your ideas and information because you’re an expert. This part of a visibility strategy.

9. Create Your A List: Pick 10 media targets that you feel are right for your book and learn everything you can about them. Watch the shows, read the magazines and newspapers. Write down the name of the reporter or host who most often seems to be reporting on topics that are similar to your book topic. Share this list with your publicist who rarely has time to watch this much TV. He or she can really use your research skills. This is an excellent way for you to partner with your publicist.

10. Radio: Please don’t forget radio. Both broadcast and internet radio are great ways to reach people who might like your book. Blog Talk Radio and other internet radio platforms are reaching large numbers of people, are archived and accessible on demand and live forever on the internet. Please do not turn down internet radio interview opportunities because you don’t think they are worthy of your time. In fact, while your publicist is working hard on connecting with traditional media, why not reach out via Twitter and Facebook and put together your own Blog Talk Radio tour. Just start talking about your book, offering yourself for interviews, searching and following anyone with a Blog Talk Radio show and engaging with them on your topic.

BONUS TIP: All placements are not equal. You need to get your idea across or the placement is pointless. Working with a talented publicist can help you hone your marketing message into several succinct sound bytes that will be picked up and repeated both online and off to increase your outreach and brand visibility.

Publicity creates conversations about YOU. Be a full partner in making that happen to give your book the best possible opportunity to reach an enthusiastic reading audience.

Teleseminars are live phone conferences where anywhere from a few to hundreds of readers can simultaneously dial into a number and hear an author speak, live, about his or her book. You might recall Oprah doing this with her on-air book club this year and she was able to bring the author to literally hundreds of thousands of people not only on her television show, but in a more in-depth and intimate way, via teleseminar.

You don’t need to be Oprah to accomplish something similar albeit on a smaller scale. Yet what publisher or author would be unhappy about sharing their book with 100-500 people at one time? Most would consider that a valuable use of the author’s time and energy.

During teleseminars, authors can give a talk about their book, a short reading or even discuss something relating to the topic of their book. Depending on the teleseminar platform you use, listeners can type questions into a chat box, real time, or submit questions ahead of time for the author to address. This could be ideal for book groups who might want to read an author’s work and then chat with that author at one of their gatherings.

There are many teleseminar platforms. One of my favorites is Instant Teleseminar. This platform, and many others offer the ability to record and archive your call. The recording can then be available on the author’s website for fans and readers who were unable to attend the call live. Authors and publishers might even consider offering access to the recording as an incentive to sign up for an author’s mailing list. That mailing list can be used to update fans about upcoming national media, local in-person appearances or new books.

Teleseminars accomplish several brand building goals at once. First, authors connect with readers and potential readers in person and establish an emotional connection with the highly motivated people who took the time to come and hear what you had to say. That means you are connecting with people who are already invested in you and your writing. Second, you’ve given those brand evangelizers or fans additional information; information not available in your book but only directly from you because they’ve had a virtual conversation with you via the teleseminar where you shared your passion for writing and for the topic of your book. Third, you’ve created a permanent link where new readers can come to hear what you said via the teleseminar recording and you now have something unique to offer as an incentive to sign up for an author newsletter or e-mail list.

Here are a couple of classic teleseminar styles that can be used effectively to promote books.

1. The Interview: Find someone with a large online following on Facebook, Twitter, e-mail lists and blogs to host you. In other words, they promote the interview with you, send out the invitations to their fans and followers and you provide the content in the way of being the expert or author. The host interviews you and you agree to share the recording link so you both are able to use it on your own websites after the event.
2. The solo: If the author or publisher already has a large list or way to reach a large potential audience, you can give a lecture style talk without a host and again, make sure you record the event for future use.
3. The Panel discussion: Gather 3 or more authors or experts and promote the talk to each authors friends and followers giving you a much wider base of potential attendees. Agree in advance on the order of presentations to avoid overlap and leave time at the end for questions and have the moderator address questions to specific authors for response.

Consider creating something special that you offer only to people who attend these virtual book club talks. This could be an original essay, a short story, or a discount on your book but it should be something that your potential readers would really want from you. Make that available on your website and if the special offer is instantly downloadable once the reader has signed in, all the better.

The goal here is to expose both author and book to a new, wider audience, excite them about the work, motivate them to want to stay in touch with the author and ultimately encourage them to purchase the book.

In future posts, we’ll discuss using the Events application in Facebook and LinkedIn to promote the teleseminar and adding Twitter as an additional broadcasting tool to get the word out. If you have any questions about virtual book tours, post them here and I’ll respond. Let’s create conversations about YOU and your book in 2010.

1. Watch the show, many times. What types of guests do you see on Oprah’s show? What topics are those guests discussing? Does your book fit into the wide range of interests you’ve seen discussed on the show? For many, many authors this is the hardest point to digest. Not every book is right for Ms. Winfrey’s show. You may have written a fantastic book and still not be right for her show.
2. Think like a producer. If you were in charge of booking guests for Oprah, would you be absolutely positive that the subject matter of your book is a perfect fit for Oprah’s audience? Would you stake your job on recommending your book to Oprah for a segment? Do you know the demographics of Oprah’s audience? They are women. Will your book appeal to women?
3. Are you an experienced television guest? Television is a big business and the cost of an hour-long show is enormous. Would you and the topic of your book be a good investment for Oprah and her team? Would you and your book be so interesting that ratings might increase because people truly desire the information you have to offer? Can you, personally, deliver that information in a telegenic way and by that I mean can you speak passionately, animatedly and engagingly on your area of expertise? Can you make the viewers “see” your topic?
4. Television is a visual medium. Standard talking head interviews are alright if you’re a celebrity. If you’re not, Oprah or any television show would be more interested if you had ideas for visually presenting your material. During one appearance on Oprah, Dr. Oz brought a human heart so that Oprah could see and feel what a damaged artery feels like. She was able to touch it and describe to the audience how stiff it felt. It was riveting TV. Do you have something amazing to show your ideas to her television audience?
5. Can you surprise and inspire a television audience with your information? Do you have something so interesting to say that Oprah will feel compelled to share it with the women who watch her show? Now every author thinks they have compelling material or they wouldn’t have written a book. But to make your book a candidate for Oprah’s show, it needs to appeal to Oprah first and then to her audience. A book about a World War II battle, however important, might not be the best fit for her audience unless, perhaps, it’s about the Navy nurses who are still today, visiting veterans and have banned together to raise money to send deserving young women to nursing school to help fill the nursing shortage. That’s inspiring, motivating and engaging for Oprah’s audience.

Here’s the last observation I’d like to share. No one can guarantee you and your book a spot on Oprah. I mean no one. Oprah and her producers receive hundreds of books and book pitches every week. Her producers comb through the pitches and bring forward those that promise to be the most compelling to Oprah’s audience. Even then, a book may not be slated for a show because books are not the only basis for Oprah’s shows. The team will create a schedule of shows and mix in authors, artists, celebrities and experts throughout any given season. Oprah could, in fact, love your book and still not invite you to be her guest. She is responsible for putting together a season of shows that appeals to her audience across a wide range of subjects. You and your book may or may not fit the needs of her show during a given season. That doesn’t reflect on you as a writer or your book.

So what can you do? Go through the questions above and ask yourself honestly “Is my book right for Oprah?” If you believe it is, submit your pitch. But if after honest reflection you see that it’s not, your time might be better spent connecting with your natural readership where they live.

Make a list of media you watch and listen to ~ after all, the topic of your book was interesting to you. Where would you find YOU in the media? That’s your sweet spot, the place where you’ll find readers who will be as passionate about your book’s subject as you are. Go there and speak to your audience.

Every person with computer access is now a writer and a publisher or has the ability to be so within 10 minutes of hatching the desire. Anyone can log onto the internet, start a free blog, open a Twitter account (where every 140 character thought they have is indexed and searchable by Google.com) and in effect, publish their thoughts. Business slide presentations, nearly virtual business books, can be posted on LinkedIn and everyone with a glimmer of an idea can create an e-book and distribute it by tonight.

The era when gatekeepers carefully chose which ideas would be presented to the consumer has passed. The idea-makers are taking their work directly to the universe. Less driven by the desire for monetary gain than by the need to express themselves and connect to others, these new world order writers are dumping endless content into the cybersphere. Yet without the filter of publishing houses, editors, agents and the like, how does the end user find the work and commune with the writer? Even if the reader finds the work, how can he/she be assured the work is good, interesting, valid.

The aggregator sites are a start but lack the “taste filter” an editor might have provided. Readers must self-select which writers they’ve liked in the past and hope they’ll enjoy future work. Here’s where the community kicks in. People who share a passion for a particular genre, writer or subject matter become the referral mechanism for those who are searching. People are developing trusted communities and sources from whom they’ll accept recommendations much like we once trusted our local independent bookseller. The hunger for information, the lust for a great read hasn’t died. The medium, the delivery system and the discovery process, however, are changing.

So what does this mean for the future of books, fiction and non-fiction? Publishers will continue to act as curators, finding and nurturing talent, but the financial model will have to change. Increasingly the burden of finding an audience for a writer’s work will fall squarely back on the shoulders of the writer. This is not always a good fit in terms of an writer’s skillset.

Mystery writers and women’s fiction/romance writers have an edge in this new world because publishers have always placed the lion’s share of the promotional responsibilities back on those genre authors. They’ve become experts at self-promotion and understand the importance of building a passionate fan base and engaging with those fans. They’re already social media pros. Business writers tend to be good at this as well. But perhaps this appears so because publishers are only buying books from business writers who have already demonstrated their ability to build a database and a following for exactly this purpose. The business model seems to be, “build it and we will publish.”

How, then, will first time novelists and self-help specialists with new ideas fare in the new Social order? How will great work rise above the noise to capture the imaginations and heart of millions rather than just delight hundreds? Will this democratizing of publishing rob us of literary talent who are not also self-marketers or will this process open the door to bright new talent who might never before have been able to squeeze by the gatekeepers? I don’t know the answers and most likely neither do you but I’d love to hear your thoughts. Since we can’t look at things the same old way, we might as well talk boldly about what “new” can really be.